Not just me then

Browsing fstoppers I found this post

https://fstoppers.com/landscapes/joys-infrared-landscape-photography-608505

Nice to see someone as enthusiastic about IR as me. Maybe time to dust off the converted D70. I did mine myself a long time ago and is very low-tech by comparison to his Fuji. The big difference with converting a more modern camera is that you can get live-view to show you what the IR is doing. My D70 is more trial and error. The Fuji also has a black and white mode which gives you live preview of what it’ll look like in mono (though there is something fascinating about the colour IR)

St Anne’s at Shandon in Colour IR. Took a bit of perspective adjustment in LR (and still not sure it’s right). Shame the fish doesn’t stand out more.

Cork in Infrared

St Vincent’s Bridge and Bachelor’s Quay, Colour Infrared

Nice sunny morning yesterday and cloud was forecast for later in the day so I went out early with the infrared converted D70. This camera has a opaque filter installed over the sensor instead of the normal AA filter, so it only uses the part of the sensor that’s sensitive to the infrared end of the spectrum.

Green foliage tends to reflect more IR, blue skies block out a lot so they go extra dark. And the D70 sensor colour sites tend to get a bit confused. Most notably, the jpegs do this browny-black / blue / white feel but the RAW images have a distinctly red hue (of the same capture). Normally I’d do a black and white conversion to normalise all that but the colours are often interesting.

Everything looks kinda spooky. Love the really dark skies.

But although the IR-effect can make everything look more interesting, the image still needs to be interesting to make it work. It’s tempting to take some very simple compositions just to enjoy the IR-effect but really you still need to work the composition.

It’s just that certain elements are different. For example. you can’t let the white grass take over, whereas you’d often leave a good bit of green grass in a shot to balance things out.

Also using the ancient D70 is fun. You’ll constantly read about how new models make older cameras into trash but that’s nonsense. The D70 was a great camera in it’s day. Sure it’s lower res, lower DR, has a tiny screen, is slow and less effective autofocus. But it is by no means unusable and actually works really well for scenic images. It has a very satifying ‘clunk’ to the shutter and there’s something nice about having small files to work with for non-critical work.

Art and madness

I found myself standing in the rain in Shandon today, camera in hand, waiting.  Waiting and wondering if I was on the cusp of one of those fantastic moments in Irish Landscape Photography: where the clouds break and the most fantastic light creates a scene of such beauty that it captures all that is magnificent about Ireland’s Landscape.

Or am I just a Muppet standing in the rain?

Well the moment never came.  Today I was the Muppet.

I decided this morning to swap my evening’s leisure for an morning of taking photographs of the city.  It was promising a beautiful autumn morning.  I did my essentials and headed into town, that light fading fast and by the time I hit Shandon the blue was gone and the black was coming, followed by the grey and the damp.

By the time I trudged home up High Street that light did appear.  A glorious sun shower with blue sky above and sun ripping through the rain.  A rainbow above my head I should imagine.  No chance of getting to a significant landmark to create a scene.

And now, as I look out the window the light is wonderful again.  Bet you I won’t get to Turners Cross in time.

Good Irish Landscape, like good comedy, is all about…

…timing.

You might be wondering where the photographs that I did take are?  Well they are slides so wait for another chance to finish the roll, for me to find somewhere to process them, at least a week to get them processed and then however long it takes for me to get around to scanning them.  I hope they’re worth it.